The writing is some of the worst out there for a comic book movie, as the script doesn't just lack style and substance, but it lacks anything close to its own identity. On top of that, there's borrowing and stealing ideas from other projects, or filling pages with clichés, but it really feels like less than that, although the clichés are there. One of the lines in the trailer is about how Michael feels better than he's ever felt in his life after the experiment, but it has its drawbacks, too.
If it's not something like that, Michael is just pushed along by the plot and barely able to make a decision. I'm not a writing expert, but I think plot-driven stories need to rely more on well-developed characters to keep us engaged, unless the plot mechanics are really interesting and out there. However, if I'm wrong or missing something about how that works, please let me know.
The action is okay, and the creature effects look really solid. The climatic fight scene gets a little tough to follow because of how fast the characters can move and teleport, but other than that...it's fine. Motion-capture was used to shift the leads in and out of their vampire forms, and the designs of their faces are nearly the only highlight of the movie.
The movie would be better if Michael was doing the "Lethal Protector" thing like Venom | Copyright 2022 Sony and Marvel
The other highlight would be Matt Smith. He is really good, and he channels Ewan McGregor’s Black Mask in his performance. It is the ounce of character in the entire movie, and I love my “woo” boys! It's worth nothing that Adria Arjona plays Doctor Martine Bancroft, one of Michael's friends and co-workers. She shaped her role after Alexandria Ocasio-Cortez, and that is awesome. Arjona is doing the best she can with what she's given, but Martine is pushed along in that same way as Michael. If this somehow leads to her playing AOC one day, or more people like her with more to do, that's excellent. Until then, Morbius gets graded on what it is, not what it promises.
Speaking of which, post-credits and MCU-wise, it's difficult to even tell what it's promising. Those scenes did not balance out the cost of admission on this one, but they rarely do on Sony's solo Spider-Man movies. Remember that time there was an X-Men trailer instead because of a trade with Fox?
With Morbius, the studio was on cookie-cutter auto-pilot, and that’s somehow way worse than them mandating senseless shit. They rushed the skeleton of a script out and dared to call it a movie. We jump on Sony for throwing out ideas like an Aunt May or Silver Sable movie, but that really could be something. I mean the headline alone is out there, and a movie about one of comic's most beloved moms opens a couple of doors. Ignoring that the idea was for an espionage story, I'm seeing a drama that shares the same perspective of Kurt Busiek's & Alex Ross's Marvels. It's superheroes from the perspective of the people again, which, outside of Disney+ shows and DC, hasn't really been deeply explored since the early days of the MCU. If Sony and Marvel are going to maintain a contentious relationship, they should at least try to one-up each other. Right now, it's up to upcoming Kraven the Hunter to rise to the challenge.
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